Work
Poetry
Iterant - “Meditation at Callicoon”
Apogee - “Epilogue”
Boston Review - “Nocturne”
DIAGRAM - “Still Life with Vicodin”
Hyperallergic - “Unable to Find What I Was Formerly Sure Was There”
Lambda Literary Spotlight - “Epithalamium”
The Literary Review- “Still Life with Insufficient iCloud Storage” and “On the Occasion of our Tenth Anniversary”
Translation
After Hours Editions - Equestrian Monuments
Action, Spectacle - “Itinerary,” “Old Photograph,” “Red Light” and “Landscape”
Boston Review - “False Documentary” and “Inventory”
Circumference - “Moving,” “Santa Teresa” and “False Fiction”
The Guardian - “In that Photo, Fix the Pit Stains on my Shirt”
Guernica - “Out of Water”
Poetry - “Equestrian Monuments (A Litany)”
PEN Poetry Series - “Snow/Electricity”
Kenyon Review - “Tenderly”
Essays & Interviews
Adroit - “The Beds We Make”
Adroit - “How I Wrote ‘The Certain Body’”
Ocean State - “How I Wrote ‘In a New Form’”
BOMB Magazine - “Darewaves of Quillering Strame: Julia Guez Explores the Nuances of Ambient Translation at Work in Aase Berg’s Transfer Fat”
BOMB Magazine - “Double Shadow: Julia Guez on the Motion and Modulation in Carl Phillips”
BOMB Magazine - “Touch: Julia Guez on the Pleasures and Pain of Henri Cole”
BOMB Magazine - “The School of Homesickness: An Interview with Miranda Field”
The Brooklyn Rail - “Mary Jo Bang’s Inferno”